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Nice Work If You Can Get It Bass
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You've selected:
Nice Work If You Can Get It Bass
Sheetmusic to print
19 sheet music found
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1
Nice Work If You Can Get It
Nice Work If You Can Get It
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
#
Frank Sinatra
#
Alex Tinlin
#
Nice Work If You Can Get It
#
Alex Tinlin
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1371601 By Frank Sinatra. By George Gershwin and Ira Gershwin. A...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1371601 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Alex Tinlin. 20th Century,Broadway,Chamber,Film/TV,Jazz,Musical/Show. 9 pages. Alex Tinlin #955854. Published by Alex Tinlin (A0.1371601). My arrangement for Wind Quintet of Gershwin's 'Nice work if you can get it', from the show 'A Damsel in Distress' (1937).
$13.99 ≈
12.92€
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
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Jazz Ensemble
#
INTERMEDIATE
#
Jazz
#
Frank Sinatra
#
Darren Lloyd
#
Nice Work If You Can Get It fr
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Darren Lloyd
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.855696 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Darren Lloyd. Jazz. Score and ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.855696 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Darren Lloyd. Jazz. Score and parts. 38 pages. Darren Lloyd #3088425. Published by Darren Lloyd (A0.855696). A reduced big band arrangement of George Gershwin's 'Nice work if you can get it'!The chart is a feature for 2nd Trumpet and Tenor Sax with solo's written out but also with chords changes if your players wish to create their own! The pack has a total of 38 pages including a Transposed score.The piece is aimed at an intermediate high school/college band!The chart has parts for Alto, Tenor and Baritone saxes. 1st & 2nd Trumpet, Trombone, Piano, Bass and Drums + the score.
$40.00 ≈
36.93€
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Frank Sinatra
#
Mike Lyons
#
Nice Work If You Can Get It fr
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767338 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mike Lyons. Jazz. Score and parts. 15 pages...
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Brass Ensemble - Level 4 - SKU: A0.767338 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mike Lyons. Jazz. Score and parts. 15 pages. Lyons Music Services #3505173. Published by Lyons Music Services (A0.767338). Brand new arrangement of Gershwin's well known tune Nice Work If You Can Get It, which is from a film A Damsel in Distress which starred Fred Astaire and Joan Fontaine. This song appears near the end of the film and is sung by Fred Astaire. There have been many cover versions of the song, including by Ella Fitzgerald, Billie Holliday, Sarah Vaughan, Bing Crosby, Frank Sinatra, and Sting to name only a few.This song needs to be played at an upbeat tempo and with swing.Parts are supplied as follows:Part 1 in Bb (Trumpet/Cornet)Part 2 in Bb (Trumpet/Cornet)Part 3 in F/Eb (Horn)Part 4 in C/Bb (Trombone/Euphonium/Baritone)Part 5 in C/Eb (Tuba/Eb Bass)Parts described as in C are in Bass clef. All other parts are in treble clef.
$25.00 ≈
23.08€
Nice Work If You Can Get It: String Bass
Nice Work If You Can Get It: String Bass
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Doublebass (band part)
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Classical
#
George Gershwin
#
Dave Wolpe
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Nice Work If You Can Get It: S
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014740_SB String Bass. Composed by George Gershwin. Arranged by Dave Wolpe. Classical. Part. 4 pages. Alfred Music...
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Jazz Ensemble - SKU: AX.00-PC-0014740_SB String Bass. Composed by George Gershwin. Arranged by Dave Wolpe. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014740_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014740_SB). ISBN 9780757934919. UPC: 654979009283.A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility---it works for your female or male vocalist. A great Gershwin song with wonderful lyrics, this chart has reversible parts---just flip the page for female or male vocal key. Scored with easy vocal ranges, tasty backgrounds, a tenor sax solo and a swinging ensemble, it's the perfect chart for any concert or dance. (Male vocal in F, female vocal in C).
$3.00 ≈
2.77€
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
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Brass ensemble
#
EASY
#
Jazz
#
Frank Sinatra
#
K Davies
#
Nice Work If You Can Get It fr
#
Bandmusic.co.uk
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.867581 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by K Davies. Jazz. Score and parts. 18 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.867581 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by K Davies. Jazz. Score and parts. 18 pages. Bandmusic.co.uk #4838759. Published by Bandmusic.co.uk (A0.867581). A great arrangement of this classic jazz number for brass octet: 2 Flugels, 2 Tenor Horns, Baritone, Euphonium, Eb and Bb Basses with alternative F horn and bass clef parts. The Flugel parts can also be played on cornet/trumpet.
$45.00 ≈
41.54€
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
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Jazz
#
Frank Sinatra
#
Robert E
#
Approx
#
Nice Work If You Can Get It fr
#
R. E. Proctor
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.809803 By F...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.809803 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Robert E. Proctor. Jazz. Score and parts. 39 pages. R. E. Proctor #3112033. Published by R. E. Proctor (A0.809803). An arrangement of George and Ira Gershwin's classic tune for jazz ensemble. Approx. length 4 minutes and 6 seconds. The arrangement includes an eight bar improvisation section that may be repeated as needed for soloist to preform. The sound track includes a solo played by the 1st Clarinet, this is for demonstration purposes only. The solo is played twice. Note: the rhythm guitar part may be a bit challenging for some players. Fret boards of chords and music included in the score and guitar part for the guitarist. This can also be played without the Flutes and 2nd Tenor part.
$15.99 ≈
14.76€
Nice Work If You Can Get It
Nice Work If You Can Get It
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Guitar notes and tablatures
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ADVANCED
#
Frank Sinatra
#
Steven King
#
Nice Work If You Can Get It
#
STEVEN KING
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.489673 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Steven King. Standards. Individual part. 4 pag...
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Solo Guitar - Level 5 - SKU: A0.489673 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Steven King. Standards. Individual part. 4 pages. STEVEN KING #105879. Published by STEVEN KING (A0.489673). Solo Fingerstyle Guitar includes treble and tab clefs, arranged by Winfield Championship Winner Steven King, in his style that creates simultaneous melody, bass lines, chords and rhythms. For the TEF file go to Fingerstyle College at kingofguitar.com.
$4.99 ≈
4.61€
Que Pasa
Que Pasa
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Jazz
#
Joe Henderson
#
Horace Silver
#
Que Pasa
#
George Kaplan
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SheetMusicPlus
Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Intera...
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Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.†See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnightâ€) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.
$9.99 ≈
9.22€
Nice Work If You Can Get It - Bass
Nice Work If You Can Get It - Bass
#
Doublebass (band part)
#
Jazz
#
Frank Sinatra, George Gershwin
#
Mark A
#
Nice Work If You Can Get It -
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.309399 By Frank Sinatra, George Gershwin, and Ira Gershwin. Arranged by Mark A. Brymer. This edition: scorch. Jazz,Standards. Choral Instrumenta...
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SKU: HX.309399 By Frank Sinatra, George Gershwin, and Ira Gershwin. Arranged by Mark A. Brymer. This edition: scorch. Jazz,Standards. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #584930. Published by Hal Leonard - Digital (HX.309399).
$7.00 ≈
6.46€
George Gershwin: Nice Work If You Can Get It - choir (SATB: soprano, alto, tenor, bass)
#
Choral SATB
#
INTERMEDIATE
#
George Gershwin
#
Virtualsheetmusic
Instantly printable sheet music by George Gershwin for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / choral
Instantly printable sheet music by George Gershwin for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / choral
$5.99 ≈
5.53€
George Gershwin: Nice Work If You Can Get It - choir (SATB: soprano, alto, tenor, bass)
#
Choral SATB
#
INTERMEDIATE
#
Jazz
#
George Gershwin
#
Virtualsheetmusic
Instantly printable sheet music by George Gershwin for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by George Gershwin for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / jazz,standards
$6.23 ≈
5.75€
George Gershwin: Nice Work If You Can Get It - choir (SAB: soprano, alto, bass)
#
Choral 3-part
#
INTERMEDIATE
#
Jazz
#
George Gershwin
#
Virtualsheetmusic
Instantly printable sheet music by George Gershwin for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by George Gershwin for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / jazz,standards
$6.23 ≈
5.75€
Nice Work If You Can Get It: String Bass
Nice Work If You Can Get It: String Bass
#
Doublebass (band part)
#
Instructional
#
Nice Work If You Can Get It: S
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
For Choir. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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For Choir. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$4.00 ≈
3.69€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
#
Choral SATB
#
INTERMEDIATE
#
Stuart Brown
#
An Omani Dance Suite - COMPLET
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.70€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.68€
Patapan - Carol for easy guitar quartet
Patapan - Carol for easy guitar quartet
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Bernard de la Monnoye
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Derek Hasted
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Patapan - Carol for easy guita
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pa...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-luâ€) and the drum (“Pata-pata-panâ€).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB†style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan†to bring the piece to a surprise conclusion...I hope you enjoy this piece!
$2.99 ≈
2.76€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Viola, Piano
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EASY
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Contemporary
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.42€
Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2
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2 Flutes (duet)
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INTERMEDIATE
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Ragtime
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Pat Holmberg
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Ragtime Miniatures for Two Flu
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Patricia Tanttila Holmberg
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SheetMusicPlus
Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg ...
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Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99 ≈
9.22€
FRACAS ATTACKAS
FRACAS ATTACKAS
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Concert band
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BEGINNER
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Instructional
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Frank Pugh
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FRACAS ATTACKAS
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Frank Pugh
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.942740 Composed by Frank Pugh. Instructional. Score and parts. 26 pages. Frank Pugh #6871981. Published by Frank Pugh (...
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Concert Band - Level 1 - SKU: A0.942740 Composed by Frank Pugh. Instructional. Score and parts. 26 pages. Frank Pugh #6871981. Published by Frank Pugh (A0.942740). Fracas Attackas is a fun piece for beginning band that is composed using the first five notes of the concert Bb scale. There are two basic wind parts doubled throughout the instruments, and the mallets closely follow the winds up until the bridge of the piece. There are four more percussion parts, but the piece may be performed with only snare drum and bass drum. If you have the players, add the crash cymbals and then the toms to fill out the parts. A fracas is defined as a noisy quarrel or brawl. Attackas is, of course, just a made-up word, but it rhymes quite nicely! I hope you and your band have a lot of fun with this piece! Be sure to check out my other works here on Sheet Music Plus, and don't forget to look up my original works at Five Stone Music. You can email Five Stone Music at five5stonemusic@gmail.com, and please visit the Five Stone Music website at https://five5stonemusic.wixsite.com/productions You can also stop by our Facebook page: @5stonemusicThanks for listening!
$45.00 ≈
41.54€
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